These are photographs taken on my perambulations around Essaouira in between projects I had set myself. This was the end of my trip and I was feeling quite jaded, so there are not as many images as I would have liked. The colours of Essaouira are quite beautiful so I am sure I will return and enjoy myself further. I briefly explain where in the city these were taken and any other brief relevant information.
Fes el-Jdid, the newer part of old-Fes established in 1276 by the Marinids and commonly called ‘New Fes’, is known mostly for its proximity to the Jewish mellah and cemetery, the first specifically Jewish area to be developed in Morocco. Fes el Jdid, standing well outside the famous medieval medina of Fes el Bali, has its own interesting medina, exploring which can bring unexpected pleasures.
Moroccan medinas have an array of colour design mostly associated with individual cities. Blue for Chefchaouen, white for Tetouan, red for Marrakech, it has been suggested that Moroccan cities are branded by colour. The alley painters of Fes el Jdid I encountered decorating the streets just before commencement of Ramadan in 2019 had developed their own colour schemes and designs unlike any I had seen anywhere else. (more…)
Many cities of any size in Morocco have a Medina ‘quarter’; these are distinct city sections which are often the oldest part of the city, walled, with maze like streets and relatively car free. Many cultural, historical and architecturally interesting features can be found in medinas.
A stimulating and visually interesting aspect of walking Moroccan medinas is viewing the colours and street art used to decorate the many alleys and lanes. More than just brightening up inner city thoroughfares it has been suggested that colours are used intentionally as tourist and cultural branding exercises, and that cities are recognised often internationally due to their colours. Examples of this are Chefchaouen, world famous for its blue walls, and Marrakesh, well known for its red colour. Other reasons and explanations for the adoption of colour schemes include reflecting local natural colours, influences from local or national religious associations, regional cultural influences and influence of colour from sub-saharan African contexts.