Green is the colour of Islam and olives; Ouezzane has both in abundance. Its ancient medina, painted green throughout, is testament to both its Sufi heritage, and associated Quranic link with olive trees, and its cultivation of olive trees locally. In the Quran green is associated with paradise.
Like most towns in Morocco, Asilah has a walled medina. However in Asilah, the walls are painted with colorful, elaborate murals. For the last thirty two years, the Asilah Arts Festival has rehabilitated and promoted the city of Asilah by fostering artists from around the world.
For the first two weeks in August, the town explodes with culture while it hosts the Arts Festival. Artists use the festival as a way to exhibit their work for the public and exchange ideas with other creative individuals. Every year a group of painters collaborate and design a wall mural at the Medina. Visitors are invited to watch the work as it progresses.
A contender for the most beautiful street in Meknes?
The woman in the worn green jellaba and distinct Amazigh features is in her early forties. She cuts a striking figure as she moves from person to person in the cafes around Place Moulay Hassan clutching a bunch of curling papers in her right hand. She insists that everybody view these papers; they are her art works and her raison d’etre.
Kadisha, born locally in El Hanchane, says she has always lived in Essaouira. She tells me that she paints most days, buying paint and paper for 2 dirhams from the local stationers. Her art is always on A3 paper, is always portraits and often from her imagination.
Fes el-Jdid, the newer part of old-Fes established in 1276 by the Marinids and commonly called ‘New Fes’, is known mostly for its proximity to the Jewish mellah and cemetery, the first specifically Jewish area to be developed in Morocco. Fes el Jdid, standing well outside the famous medieval medina of Fes el Bali, has its own interesting medina, exploring which can bring unexpected pleasures.
Moroccan medinas have an array of colour design mostly associated with individual cities. Blue for Chefchaouen, white for Tetouan, red for Marrakech, it has been suggested that Moroccan cities are branded by colour. The alley painters of Fes el Jdid I encountered decorating the streets just before commencement of Ramadan in 2019 had developed their own colour schemes and designs unlike any I had seen anywhere else. (more…)
Many cities of any size in Morocco have a Medina ‘quarter’; these are distinct city sections which are often the oldest part of the city, walled, with maze like streets and relatively car free. Many cultural, historical and architecturally interesting features can be found in medinas.
A stimulating and visually interesting aspect of walking Moroccan medinas is viewing the colours and street art used to decorate the many alleys and lanes. More than just brightening up inner city thoroughfares it has been suggested that colours are used intentionally as tourist and cultural branding exercises, and that cities are recognised often internationally due to their colours. Examples of this are Chefchaouen, world famous for its blue walls, and Marrakesh, well known for its red colour. Other reasons and explanations for the adoption of colour schemes include reflecting local natural colours, influences from local or national religious associations, regional cultural influences and influence of colour from sub-saharan African contexts.