Filali Mostafa paints in a small studio in Jotiya, close to the surging waves of the Atlantic ocean.  Sourounded by the detritis of a flea market,  his paintings of ordered simplicity and detail could not be further away from the unmitigated chaos of the landscape outside of his door.

It is easy to mistake simplicity for lack of content.  Filali’s work consistently portrays important themes within Moroccan culture;  berber design,  jewish symbolism, the marriage ceremony,  and superstitions which he believes he remains a victim of.

Born in 1964,  he grew up with his family in the Mellah in Essaouira from 1977 to 2000.  He began to paint aged 14.  His paintings  ( to be concluded )