Gnaoua at Diabat

Gnaoua at Diabat

Essaouira is one of the primary locations in Morocco where Gnaoua music comes to a focus.  The Gnaoua World and Music Festival,  unique in Morocco and held annually in Essaouira,  is indicative of the cultural significance that Gnaoua music has in Essaouira.

Gnaoua is the music of the former slaves appropriated from Niger and surrounding countries by Moulay Ismael.  Having no written history,  the songs and the music constitutes their living history.  Whenever their songs are played,  parts of their history and philosophies are retold.

I attended a night of Gnaoua music in nearby Diabat several nights ago.  Below are some photographs from that night.

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I Will Leave Buildings But Not People : Revolution in Essaouira

I Will Leave Buildings But Not People : Revolution in Essaouira

Downtown Mogadishu,  circa 1991,  amidst scenes depicting what appears to be the Somali Civil War,  has temporarily been relocated to Essaouira.  It is the location for a movie being made,  so I am advised,  by a South Korean film company.

By the large murals on the sides of houses the movie appears to be about the rule of Somalian dictator Siad Barre who came to power in 1969 following a coup.  Subsequent to introducing radical change and instigating human rights abuses he was removed from power in the 1991 Civil War and died in exile in 1995.

It is ironic though that a south Korean film company is producing the film when Barre had such strong links with the north Korean government,  sharing the ideals of a ‘one party Marxist-Lenninist state’.

More of his life can be read here and here

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Led Zeppelin and the Gnaoua

Led Zeppelin and the Gnaoua

The Gnaoua have long sacrificed the absolute sacredality of its music and have evolved public performances which they called xxxxxx.  Traditionally a form of healing music where the Mallem ( master musician )  supported by several other musicians and a clairvoyant,  negotiated with jinn ( spirits ),  fusion with other forms of music brought abouxxxxxxx.   Early forms of this fusion was with American jazz players and some rock and blues musicians.  The latter included Robert Plant and Jimmy Page who developed a special interest in north African music,  attending concerts and festivals.

Famously members of British rock band Led Zeppelin,  Page and Plant played with Gnaouia musicians in and around Marrakech in 1993.

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Sidi Ishaq and Meditations on Baraka

Sidi Ishaq and Meditations on Baraka

The zaouia/koubba of Sidi Ishaq is located beautifully on the Atlantic coast.  It is a short caleche ride along sandy tracks from the small town of Sidi Ishaq some 3 miles inland.  The caleche park is situated in the centre of the town just off the R301 which dramatically follows the coast as far north as Safi.

 

The final stage of the journey,  when the koubba can first be seen against the surf and the track drops down to the small sandy delta of the dried up river,  is spectacular.

 

I can find no information about Sidi Ishaq,  other than the shrine is a part of the Regraga annual pilgrimage throughout the Chiadme region.

 

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Tamesloht : a Town of Camels,  Sacrifice and Marriage

Tamesloht : a Town of Camels, Sacrifice and Marriage

A gaggle of older men in djellabas were sitting outside of the main entrance into the zaouia of Moulay Abdel Hussein, the grandfather of Moulay Brahim who’s tomb and  zaouia resides a little further south in the foothills of the Atlas mountains.  Both grandfather and grandson and their zaouias, play significant roles in a ritual which forms part of the living history of the Sidna Bilal Gnaoua brotherhood;  a history which is primarily contained in the very music and rituals it performs.

The legend and associated moussem ( festival ) is documented in a former blog post here . (more…)

Castles Made of Sand Revisited : Dar Soltane

Castles Made of Sand Revisited : Dar Soltane

Dar Soltane ( the Sultan’s House built in the late 18th century ) is an impressive ruin in the sand dunes south of Essaouira.  It was once the home of the sultan of Morocco,  Sidi Mohamed III Ben Abdallah al Qatib.

I initially considered including some of the photographs below in a recent blog post ( here ) regarding the legend of Jimi Hendrix.  Legend incorrectly suggests he was inspired by Dar Soltane to write his song Castles Made of Sand .   However because of the interesting history of the palace in its own right I decided to document the photographs in a separate posting.

The ruins are very easily reached by taking a bus from Essaouira to Diabat,  then walking along the sandy road which leads directly to them.  I approached by walking along the beach from Essaouira,  past the horses and camel rides,  over dunes and a small lagoon and as far as a little lighthouse looking out over the ocean.  Then I cut inland to the ruins which had been visible for a considerable time.

First impressions,  as the great walls struggle out of the suffocating sand and thickets of bushes and trees,  are that the ruins are extremely evocative and must have been magnificent when first constructed.  I have managed to find something of a history online which I have translated and reproduced below together with some photographs.

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Talmud Torah of Essaouira and a Contemporaneous Document of Exile

Talmud Torah of Essaouira and a Contemporaneous Document of Exile

I had lunch today in the old Jewish Mellah in Essaouira,  in a restaurant converted on the second  ( top ) floor of a former Talmud Torah,  or Jewish primary school.  On the ground floor the building had been converted into a Day Hospital for people suffering with Alzheimers Disease,  the first floor was now a creche and the top floor,  with a large terrace area,  was the children’s playground and the small restaurant.

The walls of the terrace had been painted with animals and symbols,  in common with many if not all schools I have seen in Morocco.  An old circular table where the intricate zellige tiles were crumbling was of interest and the three-legged chair beside it also attracted my attention,  as well as the symbolic drawings behind it.  Beside the play area the restaurant was light and airy,  with stunning views over the old Mellah city walls to the crashing surf of the Atlantic ocean.  It was a stormy day,  with gusting wind and heavy rain,  and the surging waves flew into the rocks and spray went everywhere.

Talmud Torah schools were conventionally for poor boys; no fees were paid.  It was unusual for girls to receive a free education so subsequently it was rare for girls to receive any education.  Boys started by learning the Hebrew alphabet, and then learnt spelling.  Following this they were taught Perasa, the beginning of the Bible, then the Nebiim and the Kitubim;   the Prophets and the written Law.  Designed only to provide basic education,  the primary school education stopped there, and those who wished to pursue further education were required to pay for the privilege.  However following this, the boys had some notion  of Jewish history;  they knew the Hebrew alphabet, but didn’t  know Hebrew. Their major language skills depended upon the locality where they lived.  If children lived close to ports then Spanish was the most common;  whereas in the other cities of the interior,  Arabic was spoken with a very distinctive accent.  They used their Hebrew alphabet to write in Hebrew characters and in Spanish or Arabic, depending on the language they spoke.

As I ate I saw that a large part of the dilapidated Mellah had recently been fenced off and large new signs and posters provided plans for its regeneration,  a decade or more since redevelopment had originally been mooted.  I had not been in this building before;  its views were spectacular.  I wondered how old it was and when it had been converted.  There was no information available.

Some photographs  of the terrace and restaurant follow below,  between paragraphs of an article providing a first hand and contemporaneous account of the expulsion of Jews,  following those from Andalucia in 1483,  from other parts of Spain in 1492 and their subsequent difficult journeys.

Taken from the Internet Jewish History Sourcebook, a collection of public domain and copy-permitted texts, it was written in Hebrew by an Italian Jew in 1495.

 

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Castles Made of Sand : Jimi Hendrix in Essaouira

Castles Made of Sand : Jimi Hendrix in Essaouira

One of the most important things to appreciate about Morocco is to regard legends and traditions with caution.  Moroccans are born story tellers and some may welcome association with historical figures or events; embellishing stories and history is not unusual.

Jimi Hendrix,  one of a number of famous western musicians who have visited Essaouira,  flew into Casablanca in 1969 and spent 11 days in Morocco,  which included some time in Essaouira.  He travelled around Morocco by limousine and a chauffeur, and stayed in 3 different hotels, including “Hotel des Iles” in Essaouira,  the most luxurious accommodation in the town at the time.

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Sidi Bou Ali,   Lalla Taouirt,   Sidi Hamou Ben Hmida

Sidi Bou Ali, Lalla Taouirt, Sidi Hamou Ben Hmida

Rather than portraying each zaouia as a separate blog entry I have decided to present them in groups.  Here are  zaouias I have visited over the last week or so.  They are located in the vicinity of Akermoud and Telmest,  almost the furthest that the bus travels north of Morocco.  I am quite restricted by the bus times and must take the lighting conditions as I find them.

These are traditionally near the beginning of the Regraga pilgrimage;  Sidi Bou Ali is the second zaouia to be visited in the Daour.

 

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